Real Life
As if weather, I am suddenly happy,
or suddenly sad.
It comes like
drifting light and shadow on a day
when clouds are moving. Like music
passing, changing.
Again, a fleeting sense
that I have been busy for a long time
with inconsequential things.
That soon I will return to my real life—
one of those lost ones, almost forgotten,
that still hovers just over there, out
inside. It will be such a relief to return,
—to finally step through. I remember
yesterday’s swirl of water, and the seal
dozing under the surface, just under the surface,
its pale underwater body
rocking, slightly. I can see it rise,
slightly, and break the surface, just for a moment,
and breathe. In that other life, what seems like the real one,
someone I’d forgotten I was waiting for
will be returning soon. Yes, in a moment,
the sound of conversation, a murmured
rise and fall of familiar intonation,
or perhaps the house
will be quiet, a quiet
one enters like an embrace
because everything is here.
Dressed in a Coat with Buttons
I’m waiting for the horse in his long red coat
with silver buttons.
He will come with his head down, because
he is remembering by heart the song going over and over
inside him. When he lifts a hoof, one wide sleeve
will fall open, like the song’s voice. And then the next sleeve,
the next step, answering, joining in. Who else will enter the choir?
Maybe the horse will come alone, the red coat swaying
with notes written for a strange new year.
The children could remember yesterday, more or less,
but all they could hope for was snow,
softness drifting down.
And afterward, the hoofprints
like small melting buckets,
or cups, or saucers.
December Night
I want a kind of exalted consciousness, maybe even
a word for word translation that harnesses the whole month
suffering and playfulness, everyday objects and activities
riffing with midwinter, its endless obituaries
listen—there’s singing now, I’d like it to be some angelic choir
at once fresh and very old like the fog in the trees looked
when I tried to pin down morning’s depth and texture.
Sometimes when I wake in the night
my body aches as if it had been somewhere else and needed to be
put back together here, in this now.
Waking, when the hour is not an hour of this world
the mind goes running like an anxious dog let out,
hoping to please, into the trees all around
light green, darker and greyer, purple black and dark green,
feather and white and green,
yellow and yellow green, white and whitely green,
black and greeny-black and copper and stone. Blue.
Darker blue. Brown. Reddish brown.
Last night, a noise.
What could I do? take what you want
just leave me my mind—
but I remembered the honey frames from the old hive outside.
Maybe it was a bear. It could be a bear.
I wanted a bear’s heavy shape
moving just outside the door, brushing the window,
brushing the night air
the bear’s body close at hand.
I went down in the dark
but there was no bear. Only the rooms of the house
standing around me
in a new kind of emptiness
I was no longer trying to fill. Just then I went beyond
waiting for that other life to resume.
I went back to bed and felt
for the first time in a long time quiet.
Kelly Terwilliger is the author of two collections of poetry, a forthcoming chapbook and a forthcoming hybrid book combining poetry, painting, and prose. Her work has appeared in journals and anthologies in the U.S., Canada, and Britain. She won first prize in the Guernsey International Poetry Competition, and her award-winning poem is happily traveling around on buses in the Channel Islands. A residency at PLAYA has furthered her work on a collaborative manuscript about swimming in wild places. She teaches and performs as an oral storyteller in public schools in Eugene, Oregon.