Quarantine 2020
After the world broke, the present lacked presence
& not even the future had a future.
The past—the beautiful shimmering before time—
had passed & a vast gray abyss swallowed all.
No world outside, not even nine-inning baseball.
Millions of faces incandesced by their screens.
Every window opening out, not in. In the suburbs
the green kept on being green & the roses
repeated their bloom. There, it was like being on
a yacht stalled in no wind
& a storm looming. Or, seat-belted into a jet still
parked on the runway, over a fault
now unzipping its way in your direction, or on
the top floor of a glass tower
moored in endless blue, while a plane floats past,
at eye level. Then turns wide & slow
to come back, this time for you.
The Matrix
Lying about lying—even a small lie like whether our president
really was Michigan Man of the Year—is gaslighting
& gaslighting from someone we have no choice but to trust
wounds us, the fear we are crazy, or are seeing wrong,
or nothing is real, or what’s real is too bad to bear being seen.
It unknits us, sows a soul-unmaking sickness
like in the film after Keanu Reeves takes that crazy red pill
& the whole world just suddenly // tilts //
then pixelates, unwinding everything he thought was real.
Sometimes I think all reality is an idea
kept pinned in place by language. Have you seen the clips
of Karl Wallenda’s last tightrope walk,
or clips of the big bridge collapse over the Tacoma Narrows?
It’s called wind-induced oscillation
or aeroelastic flutter when guy wires--the steel stabilizing cables
holding up absolutely everything—
just barely tremble before all is lost. Or maybe you watched
online while another bridge in Baltimore
was brought down by a container ship that lost power & drifted
before it rammed, very slowly, into a pier.
Any democracy lives like this, always at peril of some big blind
blundering barge blowing out a key buttress,
or of the wind coming up to just ~whisper~ the first word of a wave
to a line. When words aren’t kept safe by our leaders,
nothing is.
We Bees
A bee butts her head against a glass pane
again, again, again;
the pane, barred by tipped wooden slats
is glazed with a translucent scrim
and set in a house whose doors merely
appear to be open
to a world that turns on a crystalline spine
fixed at a slight tilt
in a galaxy studded with stars that flicker
but do not move,
embedded in a cosmos none can ascertain,
except as a glass pane.
Birdwatching in America
After the 2020 inauguration, a banner scrolled on CNN:
For the next 15 seconds, do nothing but watch the rain
on this screen. Just watch the rain & breathe.
The screaming jay was gone. We were all exhausted
from having to watch him & were still plagued by
actual, un-personified plague & wildfire,
but over those words ran drops of rain, large & lavishly
pooling. I was transfixed by that balm, relief from
terrified vigilance over my country
& also my marriage to someone who used to believe
what I believed, but now called the election rigged,
Climate Change a hoax, & Covid a scam
while people I loved were dying. Unable to write, I was
rereading 1984, & the thrush in the hedgerow
where Julia kissed Winston made me weep,
then want to put up a feeder. The birds came, & I began
writing again. The poem wanted me to begin with
Consider the Nuthatch, but all I could see
was the jay, shrieking & strutting, refusing to leave.
The poem was patient with me, saying, look inside
the word & I could almost see it, the nut
dense with fat, thatch for a nest & hatch like some
kind of feathered rebirth. One day the big news
was a crib, set up by our new president
in the Lincoln bedroom. It was my first sighting of him,
dun & reality-sized, but still, the nuthatch who won.
Nut, thatch, hatch, rebirth—maybe a world
could return. At my feeder were towhees & finches
like small slips of noon. When one flew inside,
I wondered who was going to die.
A bird the exact shade of warning, inside my kitchen.
A nest in the White House making the news.
Love in a hedgerow sung by a thrush.
I finally said it aloud: I have to leave, & the poem agreed.
I had to let go of everything I’d loved until then.
It’s hard to rebuild a life you’ve left in ruins,
but possible in a world, after everything, still teeming
with birds. Now, the poem is changing its tune,
constantly checking its phone
& saying um, about that 15 seconds? The poem is right.
The jay is back, now with a scald of his vicious kin,
& the fires everywhere continue to burn.
I don’t want to do it—breathing was nice, so was watching
the rain—but I get it. To find our lifer, that rare bird
of a leader who can bring us together,
we have to turn off the screen. Get back outside, bearing
witness with others toting a camera instead of a gun.
It’s time to go birdwatching again.
A Short History of Fake News
after 1984
When Winston did his work well, the past was erased,
the erasure was forgotten, the lie became the truth.
But truth has a Wack-A-Mole way of popping up
again after it’s been squelched,
& after three men confess & are hanged, Winston finds
a photo of them at a Party function
in New York on the same day they were said to have
been in Siberia, selling State secrets.
It’s an aha moment—what Big Brother said happened
could not possibly have happened,
& Winston knows then, that Big Brother lies. A photo
pops up again to prove a negative
when our own Big Brother gets caught inflating the turnout
at his first Inauguration & his Advisor explains
on Meet The Press that the numbers were merely
“alternative facts.” The New York Times
calls it “Orwellian newspeak” & runs photos of the 2013
inaugural crowd beside photos of the 2017
crowd to prove that yes, those numbers were lies.
Truth pops up again when Big Brother’s team
defends his Muslim Travel Ban by bringing up scary
“Bowling Green Massacre” & how Obama had
“banned Muslims,” too. Because neither thing
happened—period, ever—it backfires.
Dan Rather tweets facts & truth are “not partisan” but
“the bedrock of our democracy” while
1984 skyrockets into #1 Bestseller on Amazon. Linguists
call alternative facts “the un-word of the year,”
about when BB abandons the phrase, saying “fake news”
instead, his rubber-mallet response now
each time—BAM!—another pesky—BAM-BAM!—truth
pops up to displease him.
Dear Editor Inviting me to Read for a Prize
I am advised by people I trust
not to travel if it involves crossing
a border & if I must travel,
both of them say that I should
scrub my phone first.
I would do well, I am told,
to close all my social media accounts
yesterday. The goal is to purge
anything public that might betray
political views not in line
with our Leader’s political views,
including the poem that won
your fine contest—thank you—& also
this poem. Please do not publish it.
I am further advised that all email
is skywriting & that my phone
is recording everything I say,
as my TV remote does, reserving
the right to share same
with law enforcement, at its discretion.
(My remote has been quite discreet
so far.) It is unfortunate that fascists
don’t seem to like poetry much,
& that my poems don’t much like
fascists, or walking the line.
In any event, I can’t see how this
would work, & I must in consequence,
regretfully, decline.
My Sister, after Alzheimer’s
It was the first time I’d seen shoes
match cigarette case & purse,
& a purse no less, with a medallion
like a family crest—my sister
as she waited for the bus to take her
to her job as a bank teller,
someone who handled hundred-
dollar bills & was therefore
important. Men had to wait in line
for her, & her lunch was eaten
at the same hour each day, a cheese
sandwich packed in wax paper
the night before, sometimes by me,
when she let me.
She wore the first, shortest miniskirt
I ever saw, an old cotton dress
hacked off with our mother’s
kitchen shears & hemmed, thread
(& heart) in mouth at midnight,
then hidden beneath a long coat
when she left the house. She wore it
to work just that one time, but
she was my warrior then, all legs
striding out of the kitchen & into
a world run by banks & men
who mostly wanted her modest,
submissive & dumb—an omen, of what
she has, these years later, become.
Happy Mother’s Day
The geologist’s hammer,
the microscope
& chemistry set,
the “free scholarship”
to Buhl planetarium
that cost your tips
for two weeks,
the cardboard tube-
within-tube telescope,
the pile of fossils
making a pile of dirt
behind the couch,
the clutch of eggs,
& the thousand tiny
spiderlings it hatched,
also behind the couch.
My homemade wine
with its bread-heel
crust of pungent mold,
that fermented & aged
you-know-where.
The menagerie of bugs
pinned to a board,
the artist’s easel, the flute,
the weekly trips
to the library, the poems
sung out while you
pinned sheets to the line,
then tucked me into bed—
the book you believed in,
always, that I never wrote
till after you died.
Rebecca Foust’s books include You Are Leaving The American Sector: Love Poems (Backbone Press, 2024) and Only (Four Way Books, 2022). Her poems won the James Dickey Prize and Telluride Institute Fischer Prize in 2024, and in recent years, the New Ohio Review, Pablo Neruda, James Hearst, and Poetry International prizes. Other recognitions include fellowships from The Frost Place, Hedgebrook, MacDowell, and Sewanee, and a Marin County Poet Laureateship. You Are Leaving the American Sector is available from foustrebecca@gmail.com.